Brisbane-based artist Tammy Law has won the 2018 Australia & New Zealand Photobook Award – People’s Choice prize of $500 cash and $1,500 Momento Pro print credit. Her book, Permission To Belong, attracted 57 of the 268 People’s Choice votes collected over the last eight months as the Award exhibition travelled through Australia and New Zealand. This recognition is in addition to the book’s shortlisting in the 2018 Singapore International Photo Festival, and selection for exhibition at Photo Bangkok 2018, and in Photobook As Object during Photobook New Zealand in March 2018.
We feel it’s important to tell the story behind photo books as it gives insight into their purpose and process. It can also enlighten those creating their own photo book or looking to enter international photo book competitions.
Today we interview the Australia and New Zealand Photobook Award Student Winner for 2018, Kira Sampurno, about her playful publication, ROYGBIV, that presents a fresh perspective on the streetscape of downtown Wellington. Indonesian born, Sampurno, produced the book as part of a Bachelor of Design (Honours) at Massey University, New Zealand. Read on to learn how she put it together.
Momento Pro has spent 15 years immersed in photo book printing, learning about people’s publishing experiences in Australia and New Zealand, and making friends with all the services that can help make your book a success.
We’ve also hosted photo book awards since 2011 which give us unique insight and statistics into antipodean photo book publications. In this blog post we share our findings in a simple guide that includes data, questions and topics for you to consider before publishing your photo book.
Sybren Kuiper is a contemporary Dutch graphic designer who specialises in narrating stories through images and text. His ten rules below are written from the perspective of a graphic designer when working with a photographer on a photobook project.
#1. Never forget the basics: a photo book has two defining qualities: 1. it is a book; 2. it is full of photographs.
#2. When you start designing don’t listen to the photographer. Listen to the photos, then to the photographer.