Kudos to Peter Eastway for creating two of the five finalist books in the 2018 AIPP Australian Professional Photography Book Award, but it was his inkjet printed limited edition, Middlehurst | Middle Earth that earned a Gold Distinction and the crown. The judge’s felt it was “an absolute standout … a work of art … a real masterpiece.” We agree that it was the complete package, with exceptional photography, a simple sophisticated design and production values that did the photographs justice. Read on to learn more about what the judges thought, and how to put together an award-winning photo book from the master himself.
Just in case you didn’t know, in addition to our standard book range, we also produce custom books in bespoke sizes, cover materials and packaging for publishers, artists, designers and corporates.
One of our favourites is Year Of The Monkey, a collaboration between illustrator Paul Garbett and Formist Editions, an indy publisher of books and collectibles for lovers of art founded by Mark Gowing.
Leila Jeffreys is one of a few Australian photographers who is equally adored by fine art collectors as she is by creatives, stylists and the general public. Her striking bird portrait series have universal appeal, and we were delighted to help her produce her first photo book, Interview With A Cockatoo (Or Two). Read on to find out why she self published and what contributed to the books success.
This post was inspired by a debate I participated in at the second Photobook NZ Festival in Wellington. We concluded that while Instagram is not the future of photography publishing it is an invaluable tool for photobook makers and self publishers to promote and sell their books. I argued that the photo book is the more superior format for encountering and experiencing photographs due it’s physicality and long term accessibility, and my hot tip was that the hashtag #photobookjousting will get your New Zealand and Australian photo book seen by those that count. Read on for arguments from both sides of the debate …