Matthew Portch is a Bristol born lad who now lives in Melbourne, Australia. After a successful career in graphic design, photography captured his interest. He was particularly inspired by the work of North American large-format colour film photographers of the 1960s and 1970s, which is evident in his latest portfolio. Rather than combine a variety of images from different commercial and personal projects, his folio focuses on a single photographic series that walks the line between quietly understated and high impact. We asked him about the process of putting it together.
In an era dominated by social media and digital everything one might question whether it’s still necessary to print a photography portfolio and if so, what are the benefits. Photography consultant, Sally Brownbill and commercial photography studio, Image Workshop, advise on why printed folios have lasting power.