Matthew Portch is a Bristol born lad who now lives in Melbourne, Australia. After a successful career in graphic design, photography captured his interest. He was particularly inspired by the work of North American large-format colour film photographers of the 1960s and 1970s, which is evident in his latest portfolio. Rather than combine a variety of images from different commercial and personal projects, his folio focuses on a single photographic series that walks the line between quietly understated and high impact. We asked him about the process of putting it together.
If you want a book that’s truly unique you can go off grid and produce a totally custom edition, with non-standard sizing, cover material, binding styles, paper and packaging. Be aware though that you have expensive taste, and we’ll need a tad more time to do some tests to ensure that the everything meets our high quality expectations!
Earlier this year we were honoured to produce a limited edition for photographer Jesse Marlow titled Anything Can Happen and Probably Will. Jesse is an internationally awarded street photographer who has published numerous books including, Don’t Just Tell Them, Show Them, with Melbourne independent art book publisher M.33.
Leila Jeffreys is one of a few Australian photographers who is equally adored by fine art collectors as she is by creatives, stylists and the general public. Her striking bird portrait series have universal appeal, and we were delighted to help her produce her first photo book, Interview With A Cockatoo (Or Two). Read on to find out why she self published and what contributed to the books success.
Better Photography editor and AIPP Grand Master of Photography, Peter Eastway, provides good reason and advice for printing your best photos from recent travels, a personal project or the last year in a book and encourages photographers to consider what their photo legacy is, especially in this age of ‘digital black holes.’